This year, the world is going Shakespeare-mad. Or, at least, that’s what British tourism companies and theatre troupes the world over are hoping as we mark four hundred years since the Bard shuffled off this mortal coil, and about four hundred and fifteen years since he wrote the phrase “shuffled off this moral coil”. Last Saturday, the 23rd of April, was the official date, which by all accounts was met with the kind of enthusiasm usually reserved for football matches or the final episode of The Great British Bake-Off.
In Stratford-upon-Avon, the Royal Shakespeare Company held a two-hour event to celebrate the work of Britain’s best-known playwright. As I settled in to watch a show which featured British theatre royalty (and, indeed, some actual royalty too), I began thinking about the way that Shakespeare has settled into our collective understanding of literature, culture, and art.