Who doesn’t love a bit of Hitchcock now and again? Although the director is probably best-known for iconic films such as Psycho and The Birds, Hitchcock actually made his debut in Hollywood with what has been patronisingly dubbed a ‘woman’s film’. Having read Daphne du Maurier’s Rebecca a few months ago, I decided to return to the film version that I’d absolutely loved when I’d first seen it (pre-reading the book, much to my shame).
Rebecca is a controversial book in many ways, and it’s perhaps inevitable that the film should be so too. As with du Maurier’s novel, the heroine of the story is a young, nameless woman working as a companion to a vulgar older lady, who meets and marries a mysterious widower and goes to live on his estate in the south of England. The film captures the book’s wonderful opening lines in an iconic way: as the film begins, we hear the heroine (played by Joan Fontaine) say: “Last night I dreamt I went to Manderley again”. She takes us on a dream-tour of Manderley’s front drive.