There’s a lot of people out there who are doubtful about sci-fi. Isn’t it all weirdly phallic spaceships flying about and aliens shooting at each other using an assortment of weapons that look like someone took the contents of a kitchen drawer and went bananas with a can of spray paint and some furniture polish, they wonder? And, yes, there is that. But kitchen utensils notwithstanding, I’ve always been an unabashed lover of the genre. So it was a source of endless delight to me to discover that one of my favourite early 20th-century writers had written a short story set in a dystopian world run by something known only as the Machine.
Tag: E.M. Forster
Ladies and gentlemen, pray mind the spoilers!
Oh my poor, poor Classics Club list. I made it in 2014 and infused it with all the optimism of my more youthful days. I was convinced I would read 100 classics (including such hefty tomes as War and Peace and Ulysses – ah the vanity of youth) in four years. Five years on and I’ve made it about 10% of the way through that list. So I’m guessing I’ll be done with it sometime around my sixtieth birthday. Hooray for me!
This book was #61 on that list, and since I somehow associated the month of March with E.M. Forster books about Italy (I read Where Angels Fear to Tread and A Room With a View in some long-ago March and since then the association has been fixed in my brain), I thought I’d read another classic that features Italy heavily. Well, last March I managed to make it about five chapters into The Portrait of a Lady before giving up. This year I was determined to make it all the way through.
This book is #65 on my Classics Club list.
Right. I didn’t have a whole lot to say about Howards End, so I decided to go away and read some reviews to see what other people are saying about the book. And it seems like all the reviews, positive or negative, seem to more or less agree on a few main points:
1. The novel is about class. Some other stuff too, but people mostly seem to agree that it’s about class. Because there’s three families, and two of them are rich enough and marry one another, and one is not. This is all very sad and tragic and allows Forster to make some profound comments on the way that class works in the twentieth century. Don’t ask me what they are, I just know they’re profound.