(majoring in literature)
The last time I tackled a Top Ten Tuesday topic, it was ‘Most Memorable Mothers in Literature‘. So this week I’m looking at the most memorable fathers in literature: the good, the bad, and the ugly. (This was technically supposed to be last week’s TTT topic. My bad.)
With hundreds of new titles published every week, re-reading books may seem like a bit of a foolish endeavour these days. But re-reading books – ones you loved, hated, or were simply puzzled by – can be an excellent exercise, one that helps you to better understand a text. Or, sometimes, even better understand yourself, as I’m afraid the following list may very well reveal. The Broke and the Bookish’s Top Ten Tuesday theme this week is ‘Books I Feel Differently About Now That Time Has Passed’, and I’ve come up with a list of books that I have re-read either once or many times, with different emotions every time.
This week’s Top Ten Tuesday is all about Valentine’s Day, but since I’ve always been a bit of a cynic about a commercial holiday which demands that lovers be nice to each other for one day (thus allowing them to be perfectly horrible to each other for the next three hundred and sixty-four days in the year), I’ve decided to make this Top Ten Tuesday list all about my favourite examples of non-romantic love in fiction. The following relationships are not without their struggles and complications, but I think they all show that non-romantic love can be just as messy, affectionate – and ultimately uplifting – as romantic love.
I Capture The Castle was never going to be an easy film to make. The book is written as the journal of a young girl in 1930s England. The plot is bog-standard, almost on the side of boring (handsome young men come into neighbourhood, pretty young women pursue handsome young men, pairing-up ensues). Considering that the true magic of the book lies in the youthful simplicity and honesty of Cassandra Mortmain’s voice, making a film version seems like a bit of a tricky endeavour.
All this considered, then, the 2003 movie actually does a decent job capturing the tone and style of the book. As you might expect, there are lots of shots of green English landscapes, with the Mortmain’s castle as a centrepiece. Visually, there are some very pretty moments as we explore the English countryside and the recesses of Cassandra’s imagination.
N.B. This review contains spoilers, so please capture a copy of Dodie Smith’s book before you begin. In return I promise to try and stop making weak jokes with the word ‘capture’ in them.
I’d love to say that I wrote this review sitting in the kitchen sink. It might begin to express the complicated feelings I have for Dodie Smith’s beloved I Capture The Castle. It might even be a suitable homage to this lovely, quirky book. Sadly, as I’ve discovered, kitchen sinks are not comfortable places to sit, especially when you’re trying to balance a laptop on one knee and a cup of tea on the other.
Which is a shame, because the opening line of I Capture The Castle – “I write this sitting in the kitchen sink” – is a real winner.
Regular readers may have noticed I’ve been rather silent these past few weeks. It’s been about a month since I last posted, a fact which I was amazed to discover when I logged on this morning for the first time in a long while. There is a (fairly) good explanation for this, and for my neglect of my favourite blogs and websites.
Here in the southern hemisphere it’s that most joyous time of the year: winter. Unfortunately, before we can all enjoy wrapping ourselves in blankets and sipping warm tea of a chilly afternoon, university exams loom over the immediate future. As a long-standing Arts student I don’t actually have exams, but I did have to write roughly eight thousand words’ worth of essays before the semester was over. So, naturally, the past few weeks have been spent in a kind of robotic sleep-eat-work-sleep routine, punctuated by the occasional anxiety attack (complete with paper-bag breathing exercises) and sleepless night.
Despite this routine (or perhaps because of it), I have finally made it through to the other side of the semester.
(majoring in literature) 