Do you want to read about an old, respectable English spinster who moves to the country and sells her soul to the Devil to become a witch in the heady days of the 1920s?
Of course you do. It’s a fantastic idea. Forget great parties at Gatsby’s, I want to see an old English lady drop her drop-waisted dress and do Satanic dances on top of a hill. I want to see her chat with the Devil over tea and biscuits. I want it to be kind of like The Master and Margarita only less confusing.
And who knew that in between the two World Wars such a book was actually written? I couldn’t believe that this book existed, but I knew the minute I read about it in Samantha Ellis’ How To Be A Heroine that I had to find it. Quite how Lolly Willowes came into existence I have no idea. But I’m glad it did. Continue reading
Is anybody else’s mind simply blown by the realisation that is is August again, already? Mine certainly is. But August means Austen in August, the super-fun reading event that celebrates everything Jane Austen.
I’ve got a much shorter to-read list this time around, mostly because I don’t know how much time I’ll get to read this month. So I’ve only got a few choice selections:
Emma – this will be my Austen re-read for the month, as 2015 marks two hundred years since its publication (I know, Miss Woodhouse looks simply amazing for two hundred – how does she do it?) Completed (finally); review here.
Jane Austen Cover To Cover by Margaret C. Sullivan Completed; review here.
Why Jane Austen? by Rachel Brownstein Completed; review here.
Everybody’s Jane by Juliette Wells Completed; review here.
Bonus: A review of the 1999 film version of Mansfield Park, and a post on the new Jane Austen waxwork.
As you can see, this year I’m continuing my theme of reading books dedicated to dissecting the Jane Austen phenomenon.
Are you participating in this month’s event? What will you be reading?
The Nineties seem to have been a bit of a golden decade for book-to-film adaptations. Jane Austen, Charles Dickens, and Shakespeare all got the star treatment in this decade. Perhaps a little less known, but nonetheless well-loved, is the 1995 adaptation of Stella Gibbons’ Cold Comfort Farm, which I read a little while ago. It stars Kate Beckinsdale as Flora Poste, the nosy, recently orphaned young woman who goes to live with her strange family at Cold Comfort Farm, and turn their lives upside down.
Interestingly enough, Beckinsdale went on to play Austen’s Emma in the 1996 adaptation, one year after Cold Comfort Farm was released. Whether she got this role based on her role as Flora Poste, the twentieth century’s Emma Woodhouse, or whether she was filming both films simultaneously (or one after the other?), it’s an interesting crossover. And her character in this movie is indeed similar to Emma Woodhouse, although Beckinsdale plays Emma with a bit more of a twinkle, a lightness which is not present in her portrayal of Flora, which is a little more understated. Continue reading
Frankly, I wasn’t sure whether to write a review of Cold Comfort Farm. It piqued my interest because I’d read about it in Samantha Ellis’ How To Be A Heroine, and thought it sounded fantastic. Considering it has been dubbed “Probably the funniest book ever written”, and emerged in the period of inestimable comic talents like P.G. Wodehouse, I decided I’d give it a go.
The reason I didn’t know whether to write a review or not was probably because I didn’t know what to make of the book itself. Lest I show my ignorance (or my poor sense of humour, often inclined to the banana-peel school of comedy, if I’m honest, despite my best efforts to cultivate it), I put off writing anything about it.
But Cold Comfort Farm is a strange book, and I hope that writing a little bit about it will allow me to puzzle it through. If not – well, hopefully one of my lovely readers will help me out. Continue reading